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Massive mile- wide asteroid set to fly by Earth on tomorrow. A ‘potentially hazardous’ asteroid estimated to be nearly a mile wide is set for an relatively close flyby with Earth tomorrow. Object 2. 01. 4 JO2. The Rock after wrestler Dwayne Johnson, is said to be ‘among the strongest asteroid radar targets of the year,’ and will pass by our planet within just 4. According to NASA, it’s the closest shave we’ve had with an asteroid of this size in the last decade, and isn’t expected to come this close again for at least 4.

A ‘potentially hazardous’ asteroid estimated to be nearly a mile wide is set for an alarmingly close flyby with Earth tomorrow (stock image). Its diameter is estimated to fall between 6. The object was first spotted by the Mt Lemmon Survey in Arizona in May 2.

Not much is known about the celestial object, but Nasa has predicted that it is twice as reflective as the moon. This means it could be visible from Earth.  Its diameter is estimated to fall between 6. It will pass at a distance of 1. Earth to the moon. It is due to pass tomorrow at 8: 2. AM ET (1: 2. 4PM BST). Space Explorer Ron Baalke, of NASA’s Jet Propulsion Laboratory, warned of the object in a tweet last year, showing how its orbit brings the massive space rock frighteningly close to Earth. Asteroid 2. 01. 4 JO2.

Asteroid,’ according to NASA. Space Explorer Ron Baalke, of NASA’s Jet Propulsion Laboratory, warned of the object in a tweet last year, showing how its orbit brings the massive space rock frighteningly close to Earth. But, it’s expected to flyby safely at about 4. The 2. 01. 7 flyby is the closest by an asteroid at least this large since the encounter by 4.

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Toutatis at four lunar distances in September 2. The next known flyby by an object with a comparable or larger diameter will occur when 8. AN1. 0 approaches within one lunar distance in August 2.

The 2. 01. 7 encounter is the closest by this asteroid for at least the last 4. There are no known future encounters by 2. JO2. 5 as close as the one in 2.

NASA'S ASTEROID REDIRECT MISSION Nasa is planning ambitious mission that will see a robotic spaceship visit an asteroid to create an orbiting base for astronauts. The robot ship will pluck a large boulder off the space rock and sling it around the moon, becoming a destination to prepare for future human missions to Mars.

Nasa plans to study the asteroid for about a year and test deflection techniques that one day may be necessary to save Earth from a potentially catastrophic collision. Although the target asteroid is not expected to be officially selected until 2. NASA is using 2. 00. EV5 as the reference asteroid while the search continues for potential alternates. Before beginning its trip to lunar orbit, the ARM spacecraft will demonstrate a widely supported asteroid deflection technique called a gravity tractor. The spacecraft plus the mass of the captured boulder will create a small gravitational attraction to alter the orbit of the large asteroid. After collecting a multi- ton boulder from the asteroid, the robotic spacecraft will slowly redirect the boulder to an orbit around the moon, using the moon's gravity for an assist, where NASA plans to conduct a series of proving ground missions in the 2.

There, astronauts will be able to select, extract, collect, and return samples from the multi- ton asteroid mass, and conduct other human- robotic and spacecraft operations in the proving ground that will validate concepts for NASA's journey to Mars. Earlier this month, the famous Comet 4. P/Tuttle- Giacombini- Kresák, flew past our planet at the closest distance since its discovery. On April 1, the object came 1. Earth. Comet 4. 1P belongs to the group Jupiter comets, which are objects that have been caught up in Jupiter's massive gravity and now orbit between the sun and the giant planet.

Comet 4. 1P/Tuttle- Giacombini- Kresák (circled) alongside Dusty (middle), an edge- on spiral galaxy and the owlish Messier 9. The comet was first discovered in 1. But this year the comet's perihelion point, the part of its orbit that is closest to the sun, is just outside Earth's orbit. This created a six- day period from March 2.

April 3 when the comet will come closer to Earth than ever before. It reached its closest point, roughly a tenth of the distance between the sun and Earth, on April Fool's Day.

New York Asian Film Festival 2. Preview Festivals & Awards.

Print Page. Tweet. The New York Asian Film Festival (NYAFF) returns to celebrate their sixteenth year with one of their most eclectic line- ups, including new pop art from the Philippines, Thailand, Taiwan, Vietnam, South Korea, Japan, China, Hong Kong, and Malaysia. This is also the first year featuring a selective competition line- up: seven films from across Asia will vie for the top prize, including gory Vietnamese horror film "KFC," and Taiwanese gangster/coming- of- age hybrid "The Gangster's Daughter" (pictured above). Advertisement. Change is a constant factor at NYAFF. The festival's original programmers continue to visit, and sometimes still introduce and films. But their brainchild has necessarily mutated since 2. Lines snaked around the block at the old, pre- air- conditioned Anthology Film Archives, and the gone- too- soon monoplex Imaginasian.

The festival moved as it grew: first Japan Society, then the IFC Center, and even a little bit at the Asia Society. And soon enough, NYAFF found a home at the Film Society at Lincoln Center on the Upper West Side, and the SVA Theatre in Chelsea. These changes have not always gone smoothly. I still remember the difficulties the festival programmers had in booking films directed by Indian filmmaker Ram Gopal Varma back in 2. But, thanks to increased institutional support, the festival has become one of the most reliable—and consistently surprising—New York annual film programs. Take for example Hong Kong juvenile delinquent drama "With Prisoners," my favorite title in the festival's Main Competition line- up.

With Prisoners" is the directorial debut of Kwok Kuen Wong, who is perhaps more famous (relatively speaking) as the 2nd Assistant director of recent martial arts films "Flash Point" and "Fatal Contact." Based on these credits, you might expect "With Prisoners" to be a bloody, sensationalistic action film. With Prisoners" both is and is not that kind of movie. For starters, the film's plot is almost evenly split between the stories of a young inmate (Neo Yau), and an idealistic prison guard (Kelvin Kwan Cho- yiu). Neither character is strictly innocent, and both have sympathetic qualities. Violence is a constant part of both Yau and Cho- yiu's characters' lives, in other words, but they're not strictly defined by whatever lumps they take/give. Kwok Kuen Wong and his co- writer Chi- Bong Wong take some pains to contextualize their two lead characters' actions, and make them seem like products of a system that simply doesn't support individualism, let alone genuine reformation.

I came to the film expecting a bonkers sleazefest, and got a bleak, winningly subdued melodrama. You should check out "With Prisoners" if you like prison movies, or just have a soft spot for Sean Penn vehicle "Bad Boys."I tend to doubt that "With Prisoners" will win the Official Competition prize, but who can say? Basic Instinct Full Movie.

The festival's programmers have a wide range of tastes, and their films are not necessarily screened for the sake of earning prestige, but rather exposure. South Korean murder- mystery "The Truth Beneath" is certainly not the kind of film that wins awards. It was, admittedly, co- scripted by Chan- wook Park, making it automatically of interest to a certain demographic (mostly South Korean film buffs, and "Oldboy" fans). But the film, which follows politician's wife Yeon- Hong (Ye- Jin Son) as she searches for her missing daughter during her husband's election campaign, is surprisingly addictive thanks to director Kyoung- mi Lee's David- Fincher- esque attention to detail. True, the film's procedural plot works as well as it does because it has a veneer of psychological realism, and a number of fun (albeit familiar) twists. But Lee keeps the action focused on his characters, and his film's suitably pulpy central theme—we never really know the ones we think we are closest to.

You should check out "The Truth Beneath" if you like superior airport thrillers, and/or are interested in a detective story where the lead character is a worried mother. Advertisement. There's also an embarrassment of riches from Japan this year, including a trio of films produced by Nikkatsu Studio to commemorate the 4. Roman Porno" series of softcore porn movies. Of these films, I most enjoyed "Aroused by Gymnopedies," an arty, relatively sober character study about Shinji (Itsuji Itao), a has- been filmmaker who falls into a depression after production stalls on a low- budget porno that he's hired to direct.

Shinji is a jerk. He's selfish, and morose, and he sleeps with a parade of younger women. He coasts on his talent, and he pretentiously opines on the nature of love as a bond shared between two mutually admiring partners. But, as absurd, and unbelievable as the sex scenes in this film are- -and as unbelievably self- involved as Shinji is—I found myself drawn to "Aroused to Gymnopedies." I am, admittedly, a sucker for films about the lives of selfish artists, and the sex scenes were generally attractive.

But I was also drawn to the strange tension between scenes of frantic copulation and sad- sack dreama. We watch as Shinji goes to screenings of his earlier film, drinks with a young actress, and shoos away a voyeuristic lady neighbor. And in time, the repeated use of Satie's "Gymnopedie" stops being inadvertently funny, and starts seeming weirdly appropriate.

You should see "Aroused by Gymnopedies" if you wish the "Red Shoe Diaries" were still on the air, and were actually good. You should also check out "Suffering of Ninko," an intoxicatingly surreal adult fairy tale about a Job- like Buddhist monk named Ninko (Masato Tsujioka) whose commitment to asceticism is tested every time he encounters women. Ninko is, as he soon discovers, cat nip for ladies (and some men, though this point is never really expanded on). So he tries to remain chaste as visions of a nipple- less woman wearing a grinning Noh mask haunts him. "Suffering of Ninko" is, as you no doubt can infer, rather odd. Its sure- footed mix of absurd humor and sincere, fairy- tale- style drama is made that much more perplexing by hints of character- driven psychology. What if this curse happened to you? Would you blame yourself, thinking that your, uh, condition is a character flaw, or defect?

Maybe you are being testing because you are, despite all appearances to the contrary, unworthy? Or, more to the point: what if we were to take an absurd situation seriously … but only to a point? What if we indulged in questions of faith and spirituality and saw them through the lens of a story that would probably make for a really good dirty joke?

Suffering of Ninko" is exactly the kind of movie I come to NYAFF to see, the kind of movie that brings to mind brain- diddling festival discoveries like "Survive Style 5+," "Running On Karma," and "Mindgame." You should catch "Suffering of Ninko" if you want to see something new and deeply strange."Town in a Lake," a new Filipino horror film, is equally worthy, though hard to pin down. Stylistically, the film brings to mind David Lynch and Apichatpong Weerasethakul, two filmmakers whose avant garde sensibilities are both rooted in a fascination with the archetypal influences that undermine the mundanity of our every day lives. But the horror lurking around the small town of Matangtubig is otherwise inexplicable. You get the sense it's always been there, but it's never the focus of the film.

Instead, the film's drama kicks off and superficially fixates on a local child's murder, and the national media frenzy that it attracts. But the sudden appearance of sentient, human- shaped shadows, and a rise in deaths and disappearances suggests that a greater change is happening on the periphery of the film's narrative. Advertisement. This is the kind of movie that encourages you to fill in several gaps in the story's knowledge.